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The magpies thought so too as they started chortling at 2am in the morning, confused enough to think that daybreak was starting. It's quite a strange feeling having the light on the landscape come back at the end of the eclipse and even reminsicent of the experience of a solar eclipse.
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Visually the eclipse was enjoyable to follow between the cloud patches and it looked even better in 10x binoculars - highly recommended for eclipse viewing! Living at a dark site allowed full appreciation of the dramatic change in brightness from Full Moon to the dark of no moon. Note difference in exposure between sunlit and eclipsed Moon - 1/125 vs 8 seconds! Add that to the list of frustrating astrophotography mistaked I've made - if only I'd had time and energy to practise for just an hour or two on a previous night :-(. So any remaining shots that weren't already compromised by high cloud were now rendered significantly less sharp than they should be due to carefully implemented poor focus. Over the next few hours on this Wednesday night as the temperature cooled down (only slightly), I proceeded to very carefully adjust focus on the scope in the wrong direction (without having to interrupt the rapid and automated sequence from Eclipse Maestro running on the little MacBook in the dome).
Prior to the solar eclipse in the States I'd done extensive work measuring focus at different temperatures to provide a manual form of temperature calibrated focus with my Takahashi FS-102 telescope. But the high cloud was set in pretty solid around the Moon at this point so many of my imaging goals for the eclipse were already shot anyway, particularly an animated high-res view. Polar alignment of my second mount proved very difficult with cloud and bright moonlight (who ever polar aligns under full moonlight?) - another area where a little preparation on night's before the eclipse would have paid dividends. Partial Phase soon after Totality, 0.5 sec, f13, ISO400Ĭanon 5D Mark IV, Takahashi FS102 with 1.6x extender As is often the case, moonrise on eclipse night almost steals the show and I ended up playing in the twilight so long that I had little time left at home to get the other gear running before the eclipse started. The high cloud that was concerning in the forecast proved photogenic around sunset and I gave Fred Venderhaven's steam-punk bulb-ramping timelapse gear a good run in a strong and wintry-cold wind. In the end switching over scopes in the dome and trying to set that up proved more complex than I expected and was hardly worth the trouble.Īfter speaking to some local landowners, after dinner with Kaz I headed out along Mount Greenoch Rd towards Talbot to an area with a good view and some nice rustic ruins. Being at home offered many comforts all the tools I might otherwise forget as well a dome to shield the scope from the wind and another solid pier with 240v power. Since I wasn't well prepared I chose to stay at home rather than the extensive effort required for only slightly better odds in north-east Victoria (Mt Buffalo again did cross my mind). In advance I had booked two days of leave ready to travel a whole day in any direction if that's what it took, but the forecast didn't look good at all in either South Australia or NSW so heading north or west wasn't going to be any help to me on this occasion.
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widefield, timelapse, composite, tele-photo and telescopic images of the eclipse.Įxposures of 1/30 (partial phases) and 2 secs (totality) plus foreground twilight A sensible approach would be to focus on just one or two cameras, but as usual I couldn't resist putting all my cameras into service and aiming for one of everything.
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With summer at Camp Cooinda and a job that doesn't shut down over the holiday period either it was time to dust things off, put them back together and hastily remember how to use them. The tonne of astrophotography equipment that I hauled to Idaho and back for the total solar eclipse in August had remained in the shed until the week before this lunar eclipse, and most of it till eclipse day itself.
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